Rita Felski and Alt-Critique

Ever since I read Felski’s The Limits of Critique, I have been waiting for some one to talk about the coincidence of the movement she’s leading as continuous with a managed society and economy.  No reviewer I have read as yet has analyze her contract with Denmark at a time when a neoliberal government defunded education there.  Nor have I seen anyone ask about the relation between ‘critique’ and ‘critical’ in her writing.  I saw, for example, in the Introduction to the new edited volume, Critique and Postcritique, a slide from objections to critique to ‘critical,’ as ‘post-critique’ becomes ‘post-critical.’  Surely the second is a broader  and more fundamental category that involves not only ‘suspicion,’ but judgment, statement, and opposition.  I have not seen reviewers yet lament the turn to the ‘post-critical’ at time when alternative facts glare at us.

Nor have I seen many reviewers interested in the parallels between the ‘disruptive’ tech and data ideals of management models with the ‘post-critical’ desire to loosen things up, to let a thousand flowers bloom (or was it points of light shine?).  I don’t think I have seen reviews that ask who wants this ‘post-critical’ model, or why anyone should be convinced that because some folks claim they are giving what the customers want, that it really is a good.

Perhaps before we become suspicious of this post-critical, we should describe it, take notice of what it is as the proper way to question why it is and whose interests it serves.  Maybe, we should slow the rush to the post-critical while we live among the alt.


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A Scholar’s Time under Fascism

Has anyone thought carefully about why Heidegger, as The Black Note Books make very clear, gave so much of his precious and protected time to thinking through the mistakes Nazism made in not fulfilling the fascist ambitions he had for the human via philosophy?  During the second Bush years, with the Iraq Wars and the torture protocols, leisure for scholarship was or should have been at a premium.  Of course, during the Obama years–and if truth be told, during those Bush years, too–lots of academic scholarship appeared, some motivated by crises in the external world, some as part of the academy’s internal logics.

What to do now when there is a modicum of protected time (admittedly for a very few) when horrors are all around all of us, even those who don’t see them yet.

I have the usual handful of comparative subjects from Germany mid last century:  Heidegger, Jaspers, Jaeger, Arendt, Auerbach, and Curtius who remained at home–how comfortably, how profitably for the rest of us?

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Statement of a newly imprisoned Chinese Dissident 


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Richard Poirier, Poetry and Pragmatism, Harvard UP 1992

Poirier’s book is marked by certain traits of its moment.  In fact, many of the topics that outrage him should have seemed passe.  The academic fascination with deconstruction had faded under the attack of anti-theory movements, the deaths of Barthes, de Man, and Foucault–with their various relations to deconstruction.  New movements emerged–postcolonial studies; Jamesonian tones echoing Postmodernism and The Political Unconscious (can we forget the voices of certain white male self-declared anti-imperialists? or the repetition of allegoresis?); strong developments in race and gender studies; the displacement of literary by cultural studies (of various sorts); and the developing state pressures against ‘radical’ critics typified by assaults on Said and others.

What saddens me about the book, which is best as a defense of literature, are the errors Poirier makes in defining his own enemies.  Had those mistaken and outdated polemics not motivated a substantial part of the writing, the book might have stood up longer.  For better or worse, it came into existence in the middle of a neo-pragmatist wave with which it was uncomfortable.  Poirier sometimes invokes and sometimes criticizes Rorty.  In the 1970s at Columbia, in the University Seminar in Literary Theory, then chaired by Edward Said, Rorty gave a talk against Derrida’s “White Mythologies” essay, which had appeared in English translation in 1974 (did Rorty read French?).  I have remembered always only my sense that Rorty was scandalously reductive and misrepresented Derrida in the way only dogmatic polemicists could be.  This crudity is of the kind Poirier disliked in Rorty, an inability to read.  Yet, because of his own determination to wage war against deconstruction (killing a corpse), Poirier never bothered to get right many of the authors and ideas a dislike of which motivated his book.  He is very good in making the Whitheadean or Emersonian point about self in formation, as process, revision, and uncertainty.  But he believes that the advance recognition of process and revision preempts deconstruction and theory’s concern with subjectivity, massively confusing, as his grammar betrays (he has a good take on the double meaning of this word), the instability of a self, of any self, of all selves with the rigorous project of deconstructing the subject, the very workings of which nostalgically underlie his own belaboring of the self as a process goal and value in his work, all literature, and all language.

Had he stuck to his meditations on slow reading, his accounts of linguistic complexities, his arguments for language and so literature as work that forms minds, values, and plays games in power he would have made a more convincing argument.  Of course, he was preoccupied with making all his claims American, pre-Gallic imports–readers of Emerson, or at least Emerson and Burke and a few others always already knew and knew more than what the French were teaching.  The nationalism is unfortunate and I think crucial as one obstacle to reflection on the large polity in which he wanted to carry out any sort of literary or humanistic work.  That plus the fact that he seemingly disliked Foucault enough–and no doubt lots of Marxists–that he embraced a version of the Gitlin line that academics have no real relation to state politics.  How that is true or false and how best negotiated is not clear yet, but Poirier should have done a better job if he had not taken Derrida as his opponent but Lynn Cheney and the job crises that regularly plagued the humanities since the mid-1970s.

I still find engaging moments and traces of deep insight in his pages.  This surprises me because on previous readings–given my antipathy to Neo-Pragmatism–I had not found a lot to move me.  By the way, his account of how the profession moves through a succession of fashionable theories–which now we call commodities–is still a good caution.  Lots more to say.  Including something more about Frost and his letters and about Poirier’s history of alternatives to Yale English then.

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Wallace Stevens is not a ghost

Helen Vendler was right in 1984 when she wanted to “tether Stevens’ poems to human feeling” and “to remove him from the ‘world of ghosts’ where he is so often located, and to insist that he is a poet of more than epistemological claims.”

But she was wrong to believe that the only way to do this was biographical, to anchor the poems in a “life-occasion” of the poet.  So, that way she gives us Le Monocle de Mon Oncle in terms of his failed marriage.

The poems don’t need this anchor.  Vendler is too good a reader to let the poem sit on its life point, but the poems are too good, too worldly and too human to need that anchoring, which drags the poems to places they need not be for us to understand their insistently active historical role in human life and imagination.  What she gets absolutely right, of course, is the damage critics have done to WS by turning him into some sort of philosopher’s poet, by dragging him into the dirty if seemingly airy midst of epistemological concerns.  And that in turn made it possible and makes it possible still for lots of critics and readers to prefer more accessible, seemingly more social writing, and to blame Stevens for their own need of an enemy who can be made too hard, too abstract, too elite, too far away . . .


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Principle or truism?

“The critic’s task is to approximate the creative success of the poet.”

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Steven Salaita — My Letter to the Chancellor

Dear Chancellor Wise:

The rescission of the UI offer to Steven Salaita will do considerable harm to your university’s reputation.  It harms Professor Salaita and it does serious harm to first amendment rights and to all sense of proper procedure and academic freedom.  It upsets proper procedure because it upsets normal practice and expectations.  In my long career, I cannot recall a similar rescission.  It offends academic freedom because it intimidates academics who might well learn from your actions to censor their own speech in academic, professional, and social venues.  This last danger is a threat to free societies and to the ideal of the American universities.  Consider as well the effect on students who fear that their professors might not speak honestly to them in fear themselves for their own careers and their families’ security.  I would not want to sit in a classroom where I doubted the freedom of my teachers to speak the truth.  Consider too that the truth is often rowdy and it very often offends the most powerful, which is the reason universities exist to protect the truth and the right to discover and express it.

For all of these and many other reasons, I urge you to reverse your rescission and exemplify the best tradition of America and its land grant universities.

Paul A. Bové


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